09-15-2012, 06:34 PM | #26 |
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This looks fantastic. If I was good at shooters I'd totally download this.
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09-15-2012, 06:35 PM | #27 |
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I'm shit at shooters and I manage.
I think the hardest part is really figuring out just what the hell to do next, since most of the time the paths aren't entirely obvious. |
09-15-2012, 06:49 PM | #28 |
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I feel like Valve games (experience: HL1, HL2, Portal) tend to be fairly linear. There's certainly a "figure me out! " component to them but I feel like it's always puzzle based. Like ...
Let the straight line represent the linearity of the game but let the beads represent the roadblock puzzles you keep encountering. One may be a horde of aliens that have to be defeated with limited ammo and no health packs in the area. Another may be a puzzle involving valves or switches on an electrical or hydraulic apparatus. Like, you may come to a dead end, backtrack, look for other ways to go, find nothing, return to the dead end, and finally notice that there is what looks like a rusty gate in the water. You initially assumed it was just Valve decor but now you wonder ... *look for shit to interact with* ... oh look, a button! *press* *gate opens* Well that was fuckin' easy. Too bad I wasted 30 minutes like a jackass wandering back and forth between where I started and this dead end before figuring it out! >_> But like, aside from these roadblock puzzles, I feel like Half-Life and Portal are pretty darn linear. Your human instinct is to always press forward so that immediately rules out one of the six directions (backward). And you rarely can go up or down so that rules out two of the other six (up, down). And of the three you're left with (left, forward, right) they're really all part of the same whole which is forward (left-forward, forward-forward, and right-forward). And then what happens on most maps is something like this:
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09-15-2012, 06:54 PM | #29 |
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Whoa, my computer makes the requirements. Maybe I should give HL a new shot.
Then again, Torchlight 2 is so close. And BG:EE. And... FFFFFFFFFF In terms of where to go: I always liked that about Half Life. No goddamn arrow pointing at exactly what I need to do to blow up the giant monster. Instead, I need to figure shit out. If you were ever lost in the woods and needed to somehow survive or find your way back to civilization, there's no giant arrow showing you where home is. So I always felt it was a nice way to be at least a bit realistic. In addition, it also adds to some fear and panic of getting lost in the game without doing something stupid to confuse you. You could get ambushed by aliens or soldiers and starts running away and completely forgetting where to go. It added to the game more than it really took away. Last edited by Loki; 09-15-2012 at 06:58 PM. |
09-15-2012, 10:41 PM | #30 | |
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Quote:
One of the big beefs I had against Quake (independent of my other, fully valid criticisms of it) was the Lava Golem boss. You couldn't kill it with regular weapons. It was the second puzzle-based boss ID ever implemented and for people who grew up on "if it bleeds, you can kill it" it was really tough to figure out. Valve even brought this up on the Portal developer's commentary, that players tend to never "look up". I spent years playing Quake and using the cheat engine to skip levels because I could not beat the Lava Golem, and only once while screwing around with flying on the upper deck did I realize pushing both buttons electrocuted the monster. At least with the Icon of Sin, the elevator needed to kill it was going up and down in front of the player, and the exposed brain was really apparent. It wasn't so with the Lava Golem. In sum, expecting to have to figure out a puzzle, or expecting there to be a solution you have to invent yourself, was a big part of what made Half-Life great. The only problem is if you go in not expecting to see a puzzle or believe you have full understanding of the game rules/operations.
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09-16-2012, 12:19 AM | #31 |
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I have to say, despite being shit at it, I really do like the feel and immersion of HL. Like Loki said, you do have to figure shit out on your own, and it makes it feel a lot more like you're actually stuck in the pit of this facility and in legitimate danger. There's (generally) no big glowy mark or indicator telling you where to go. You have to analyze the room and the environment and work with what you've got.
>Talon Yeah, I agree, but what I was saying was more "I really don't know what to do to get to the next place" instead of "omg i dunno what to do next~". Valve games are all very linear, and frankly, I actually kinda like that because it creates the illusion of freedom (for the most part) while molding a story around it. I feel like Valve's narratives are really really cause-effect driven and if you deviated from that, you'd break the immersion. I generally don't like linear games (here's lookin' at you, FFXIII) but Valve pulls it off well, because they just kind of give you a goal and make it seem like you have a choice but sorta nudging events in a way to funnel you down a set path. |
09-16-2012, 12:58 PM | #32 |
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Okay, played part of the way through the first chapter or whatever it's called.
Firstly, it's gorgeous! Original HL was a bit ugly. HD package made it good enough to last for the rest of time IMO. But Black Mesa makes it amazing! Some of the stuff was changed. I think the train ride was shorter. The crowbar was moved to slightly later. I couldn't find my original first pistol either. I like that they included HL2 things into Black Mesa like throw flares at monsters to light them on fire. Being able to move garbage out of my way instead of just outright smashing it if nice. It was also nice that they balanced out the genders in the lab. Now Black Mesa is less of a sausage fest then it used to be. I guess it became an equal opportunity establishment after like 14 years lol. Also, the African American guards helped round out the Barney cloning. Did they put Otis (the fat guard from Opposing Force/Blue Shift) into Black Mesa? My only criticism is that the flashlight didn't work. It might just be my crappy computer put on ass-terrible settings, but the flashlight seemed to only light up some surfaces. I couldn't see anything in the dark. The floor didn't light up. The walls didn't reflect light. Only some doors got a bit brighter. |
09-16-2012, 03:57 PM | #33 |
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You might be able to report that sort of thing to the developer's forums or something and see if they'll be able to patch that if it's a frequent issue.
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09-16-2012, 04:36 PM | #34 | |
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Quote:
A) I'm not really playing through the whole thing. I'm just checking it out. B) I haven't seen other people with this issue on their forums or ours (albeit ours is only Jeri tmk) C) My computer is pretty shitty. |
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09-16-2012, 10:31 PM | #35 |
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I've noticed that the Flashlight doesn't work that well but I feel like it might be an engine problem since I kinda remember this being a problem in HL2.
It also seems to be having some trouble in vents sometimes, I've noticed. |
09-16-2012, 11:05 PM | #36 |
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Hmmmm. I didn't notice that problem on my (now dead) laptop when I played through HL2. Possibly related to video drivers...
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09-23-2023, 01:04 AM | #37 |
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I went through HL2 over the past week and the game has aged poorly in a way that HL1 hasn't.
I found the combat repetitive, you are basically killing the same type of enemy the entire game. Even if it's flavourful, it's still boring. Long stretches of the game stuff are fairly empty. Talon's complaints from a decade ago feel relevant to me now. I also saw the movie references. Ravenholm is a typical zombie-vampire movie setting, while the Coastline is basically Tremors with Nova Prospekt being Aliens. Related to this, the annoying issue is I can "see" the writing. A major consequence of HL2 being more story driven, and also spoiling the G-Man, is that you can see the plot contrivances, the nonsensical character decisions (including Gordon himself) and the Mary Sue that is Alyx Vance. I liked Alyx when I experienced HL2 like, 9 years ago? But now that we're in a post-Girl Boss world she is insufferable. Also, the science is gibberish. As someone with an interest in current topics in theoretical physics everything the scientists say in HL2 is remarkably groanworthy. I'll credit HL1. The limited design space, the premise of escaping a high-security research lab from the inside and lack of awareness of the outside puppeteering makes it a far more grounded, organic, and replayable game. HL2 is just an inferior soft reboot of the first game. Portal also aged pretty well. There's that I guess.
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09-24-2023, 11:44 AM | #38 |
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I don't think Valve has been a super story centric developer. While they did push for some story into FPS, which was a genre previously pretty much had no story, it was always pretty bare bones. It's enough to intrigue but not a fully fleshed out world.
Valve has always been known for it's gameplay. Ravenholm was to emphasize the use of the physics in the game as a tool and a weapon through the use of the gravity gun to throw circular saws or propane tanks, activate traps, or open pathways. Coastline mostly was to show off driving and showing the scenic views- which obviously haven't aged the best. And Nova Prospekt was to show off companion AI in control of the bugs. Prior to HL2, companions were pretty awful and there are very few FPS games which had any aspect of controlling minions. If you only want to look at it from a story perspective, sure- you're not wrong. But HL2 is well remembered for being an innovator in gameplay. It may as well have had been an advertisement for the Source-Havok engine. |
09-25-2023, 04:40 PM | #39 | |
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Quote:
That also explains what they did with HL: Alyx. It was basically just an ad for VR!
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